Classic James Bond movies head to Blu-Ray
Just bought the latest restored versions of the James Bond movies on DVD? Well, I'm afraid we have some bad news - the James Bond back catalogue is to be reissued in high definition on Blu-Ray disc.
Good news if you didn't buy the most recent reissues though - and if you have a Blu-Ray player. According to MGM/Twentieth Century Fox, the new versions have been 'recently restored and re-mastered for the highest quality picture and sound quality via the state-of-the-art Lowry process digital frame-by-frame restoration. And they'll be packed with special features too.
The date for your diary is October 31st (same day as the new Quantum of Solace hits the big screen), with the first titles reissued being Dr No, Die Another Day, Live And Let Die, For Your Eyes Only, From Russia With Love and Thunderball.
James Bond (unofficial) website



London's Imperial War Museum is the location for a major Ian Fleming and James Bond exhibition - For Your Eyes Only.
Is it really 10 years since the world 'shagadelic' came into being? It must be, because Austin Powers: International Man Of Mystery 10th Anniversary Special Edition is on the market.
Just out in time for Christmas is a two-disc DVD set of The Who's finest moments coupled with rare footage of the band and band members - Amazing Journey: The Story Of The Who and Six Quick Ones. And we have three DVD sets to give away.
Throughout David Lean's impressive career as a filmmaker he often worked with the talented French composer Maurice Jarre. Jarre composed soundtracks for many of Lean's award winning productions including Lawrence of Arabia (1962), Doctor Zhivago, (1965), Ryan's Daughter (1970) and A Passage to India (1984). The new DVD release of Maurice Jarre: A Tribute to David Lean from Milan Records is a wonderful celebration of the films that Lean and Jarre worked on together.
Whilst out shopping today, I noticed (and indeed bought) TV Film Memorabilia magazine, which claims to be a publication for 'fans of TV, film & collectables from the 1960s to the present day'.
Out on November 5th 2007 is a two-disc DVD set of The Who's finest moments coupled with rare footage of the band and band members - Amazing Journey: The Story Of The Who and Six Quick Ones.
We very much enjoyed
As a film 
Strictly speaking, films about homosexuality are no longer about an ‘alternative’ lifestyle. This isn’t a recent demarcation, off the back of say, Kissing Jessica Stein or Brokeback Mountain. Homosexuality hasn’t been illegal in most countries, and certainly Western democracies, for decades, and so films that deal in sexuality should no longer be taboo. Romantic comedies should deal in both sides of the argument.
Let’s get one thing out of the way first. This film is not about incest. It’s a film with incest in it, but it’s not a po-faced, Mike Leigh drama where people bang themselves off walls and shout at one another because their souls are tortured with images they just shouldn’t have. No, it’s pretty funny.
Good news if you're in the UK - BBC2 is doing what it should always do - promoting the best of British movies, this time under the title of The Summer Of British Film.
Who’d be a critic, eh? What a terrible life; getting paid to sit through work that you couldn’t possibly create in your wildest dreams, slag it off beyond all redemption, and then expect to get served canapés and sparkling white wine at the release party. It sucks, let me tell you. It’s only the hors d’oeuvres and the highbrow chit-chat that keep me going.
Infidelity on screen always comes back to bite people, usually husbands, in the nuts. You only have to mention Fatal Attraction to men of a certain age to have them wincing at the thought of a rabbit casserole and checking the locks again like an OCD-ridden amnesiac.
London's Barbican is doing its bit for cross-Channel friendship, offering three seasons of classic French cinema under the title Aspects of French Cinema.
One of Oscar Wilde’s more famous quotes, taken from The Decay of Lying, was that life imitates art far more than art imitates life. It’s easy to dismiss that as just another flip remark by Ireland’s greatest ever export (and I include Guinness in that), but the more you consider that aphorism, the more accurate it seems to become. It’s where youth culture gets its fashions from, its sayings, and how many times do you watch programmes like The Office or The Apprentice and say to somebody ‘I know somebody just like that’? You don’t; it’s just that popular culture and the world it reflects are about as close as it’s possible to be right now.
A funny thing, romance. In the right hands, at least. Although derided by many serious cinema fans, a film like When Harry Met Sally is actually a pretty accurate depiction of that crazy thing called loved, although most of us don’t have to sit opposite a spunky blonde pretending to have an orgasm when we’re trying to make a connection. Like most things, l’amour feels right when there’s room to have a giggle about it, and films have long reflected this, from the greater-than-the-sum-of-its-parts There’s Something About Mary to the oddball film it references, Harold and Maude.
Karl Marx once remarked that “history repeats itself twice: the first time as tragedy, the second time as farce.” It’s probable he was referring to armed conflict and dictatorships, but I think there’s room to include film remakes in that, too. Certainly, whoever decided to make Wicker Park and cast Josh Hartnett (the human chair leg) went straight for the jugular and combined both elements: it was tragic they made it, and anyone who saw it knows how farcical it all is.
We all carry preconceptions. Just as Brits are thought of as reserved types who’d rather have a cuppa than a roll in the hay, we in this country (fuelled by fortnights on the Costa Brava and repeats of Duty Free) tend to think of the Spanish as lazy, ill-educated and obsessed with sex and siestas. When pressed, that’s the image most people get in their mind’s eye.
Presumably released on the back of The Proposition’s multilateral critical acclaim and respectable DVD sales, director John Hillcoat’s
first feature doesn’t quite share the ferocious honesty of his haunting
proto-Western, which did for the Australian outback what Trainspotting
did for East Edinburgh – you wouldn’t want to go there, but it sure is good
agar for stylised harm. 