DVD Review: In the Realms of the Unreal (2004)

Jessica Yu's award-winning documentary, In the Realms of the Unreal offers a portrait of one man's astonishing inner life. Henry Darger was an elderly recluse. He spent his childhood in an Illinois asylum for 'feeble-minded' children and his adulthood working as a janitor in Chicago. He lived a quiet life alone in his apartment, while regarded him as a harmless eccentric. But when Darger died in 1973, his landlady discovered three hundred paintings in his room, some over ten feet long, and a 15,000-page illustrated novel called The Realms of the Unreal. Darger's magnum opus told the epic story of the virtuous Vivian Girls, seven angelic sisters who lead a rebellion against the cruel, child-enslaving kingdom of Glendillinia. Bursting with colour and imagination, the artwork was exhibited in major galleries and went on to inspire poetry, music and plays.
Storybook narration from child star Dakota Fanning sets the tone for Yu's engaging fable. She weaves portions of Darger's autiobiography read by Larry Pine, interviews with his surviving neighbours, still photographs (only three pictures of Darger exist) and animated excerpts from The Realms of the Unreal, and creates a moving picture book. As a human being, Darger remains a mystery even to those who knew him. Many of those interviewed here can't even agree how to pronounce his name, or on small details like where he sat in church. Darger himself sometimes claimed his real name was Henry Dargarus and he was born in Brazil.
Continue reading "DVD Review: In the Realms of the Unreal (2004)" »


The second of René Laloux’s widely-spaced sci-fi trilogy, Les Maîtres du temps is the weakest of the three, having neither the trippiness and allegorical smarts of The Fantastic Planet (1973) nor the visual inventiveness of
The third and final animated feature in René Laloux’s sparse but luminous career is often compared unfavourably to his groundbreaking The Fantastic Planet (1973). In fact Gandahar is a compelling, moody, visually stunning work which though flawed evokes a genuine sense of the alien and the dreamlike.
Creator of some of cinema's most weird and wonderful animations, not to mention darkest and most disturbing, Czech director/writer Jan Svankmajer began making films in 1964 after an artistic education that included a spell in the Marionette Faculty of Prague's Academy of Fine Arts - not often you can throw that one into a biog.





