
The time has come, the walrus said, to speak of Pearl Chang Ling. Apologies to Lewis Carroll, but one suspects the master of loopy logic would feel right at home amidst the dreamy delirium of kung fu cinema’s weirdest heroine. As writer, director and star, Chang Ling played Alice in her self-imagined wonderland of swashbuckling fantasy, psychedelic sets, and surreal characters. That she was a successful female filmmaker in a male dominated industry is impressive enough. That movies like Dark Lady of Kung Fu (1981) and Miraculous Flower (1984) feature magical flying boots, zombies, heroic wolves, cell animated special effects, masked heroines, talking apes, satanic rituals, exploding intestines, fire-breathing monks, and a duel in an active volcano – make her downright loveable.
Background information on Chang Ling remains frustratingly scarce. A star on Taiwanese television, she supposedly married a wealthy producer, gaining carte blanche to produce the movies she wanted. Her best-known movie, Wolf Devil Woman (a precursor to Ronny Yu’s masterpiece The Bride with White Hair (1994)) exists on English dubbed VCD, but her finest film Matching Escort (1983) is readily available from Amazon, alongside an early swordplay fantasy My Blade, My Life (1977), produced by Chang but directed by Chen Ming Hwa.


The clamour for all things grindhouse continues with movie screenings in Glasgow and London, both showing a double bill of They Call Her Cleopatra Wong and One Armed Executioner and both directed by Filipino film maker Bobby A Suarez.
On Sunday March 4th The Los Angeles Grindhouse Festival 2007 presented by Quentin Tarantino at the New Beverly Cinema got off to great start with a double-bill of the blaxploitation classic The Mack (1973) and the martial arts action flick The Chinese Mack (Da jiao long, 1974).
Here's a quick heads-up for fans of impossible stuntwork and insane action. District 13 is the absolutely barmy French movie that lazy folks will surely tag as "the new Ong Bak" just because of its stripped down approach to action and eye-popping bodily harm.





